
“Congealing Form, Refining Vessels”: Exploring the Ceramic Landscapes in Ruban Yu’s Heart
撰稿:Anson | Vision
"Everyone experiences scars in life, and so does pottery. I believe the most important thing is to accept—accept their existence and learn to live with them." As we looked at the piece titled "Endurance," wondering why such prominent scars were…

The medium itself has no appeal; all concepts are bestowed by humans.
撰稿:Leah | Vision
Once clay enters the kiln, it is impossible to know what form or color the final piece will take. Beyond technique and experience, everything depends on luck; it is a sort of "mystery box," which is part of its charm.…

Soul Lattice & Ceramic Luster: Savoring the Mechanical Romance of Chiang Fu-shan.
撰稿:Anson | Vision
What does a teapot look like in your mind? What form does ceramic art take in your heart? Walking into Chiang Fu-shan’s "Soul Lattice & Ceramic Luster" exhibition, what meets the eye are not ordinary teapots or layers of glaze,…

Chuang Pei-shan dresses pottery in colorful garments.
撰稿:Anson | Vision
My impression of pottery, though I once made a blue plate in Yingge, mostly remains within a warm color palette, leaning more toward earthy or brown tones. After all, most wood-fired ceramics seen in the mainstream feature relatively steady colors.…

Ruban Yu: Solidifying Form and Refining Vessels — Depicting the Wabi-Sabi Aesthetics of Life
撰稿:Anson | Vision
"Solidifying form is to gather ten thousand phenomena into one; refining vessels is like the ancient practice of alchemy—seeking the sublimation of the object." — Ruban Yu Ceramic creation is a very special field; the shaping of clay is infinitely…
